The here and now of the title of this photograph ironically assumes an opposite sense to that of the definition of authenticity, by inscribing the circumstances of the event in the present, yet with an implicit awareness of its conceptual and operative dimension. Attention to the reception and circulation of the work as a concept is increased by the gift to the public of a calendar where the inscription twice inscribed, in that of execution of the painting and that of the execution of the photograph, juxtaposed by the same title, reinforcing the sense of the up-to-date as an affirmation of the present and its possibilities.